Showing posts with label 1957. Show all posts
Showing posts with label 1957. Show all posts

Saturday, May 4, 2019

"Paths of Glory" (1957)


France cannot afford to have fools guiding her military destiny

Stanley Kubrick was an anti-war person and he found a right way to express his views. He didn’t shoot films with boring explanations of war horrors, he made films about the real war – with filth, cruelty, blood, destruction, suffering and death. All those elements were present in the fourth Stanley Kubrick’s film – «Paths of Glory».

After a German’s army defeat in the First Battle of Marne, the Western Front became entrenched all the way from the Swiss border to the English Channel. There were a lot of battles, where tens and hundreds of lives were sacrificed for a few hundred yards. In 1916, the both sides were looking for a way to get out of this trench warfare.


In the beginning of the film, General Georges Broulard, a member of the French General Staff, orders General Mireau to capture a well-defended German position called the «Anthill». At first, General Mireau, understanding the high casualty rate of his regiment and the suicide character of the attack, refuses, but changes his mind after General Broulard promises him promotion. Colonel Dax is ordered to execute the attack, who also understands it’s suicide character, but order is an order. The attack is a bloody disaster and furious generals are setting up a court-martial in order to execute three soldiers for cowardice.

 During the Battle of Passchendaele (1917) there was a tale about a furious colonel of the British General Staff, who arrived at the field in order to understand, why soldiers are not eager to execute his plans. After witnessing the horrible battle conditions, the colonel… cried. Despite such sentiments, the Allied casualty rate for this battle was about 508 800.


The film depicts staff officers, who are living in the chateaus, drinking cognac and preparing plans for the glorious final battles. For them front-line soldiers and officers are just merely units, who could be sacrificed for the sake of plans. From the other side, the front-line troops are suffering from typhoid, hunger, dehydration and enemy artillery, but they forced to execute suicidal attacks and tolerate the allegation of cowardice from clean-shaven aides of generals.

When new suicidal attack becomes a bloody disaster, the staff officers will never take the blame, they would shift it to executors. In order to punish, they would court-martial three random soldiers. The staff officers don’t care about past accomplishments of the executed soldiers, they just to show their resolve to politicians, newsmen and the French nation in general.


The war is an ideal plant for all low, cruel and mean. Especially for low-lives, who become commanders with ability for death sentences. The incoming trial gives certain officers an opportunity to get rid of the soldiers, who saw their cowardice. Nevertheless, the officer corps includes officers, who care about their soldiers, including Colonel Dax.

Colonel Dax lives in trenches and leads his soldiers in a battle. An ex-criminal attorney Dax is willing to do anything in order to save his soldiers from injustice. He becomes a defender in court martial, but this court is not legal. This court is not fair and it doesn’t have the presumption of innocence; those judges have already sentenced those three soldiers to death.


The real world is not very rich with justice, and there is no justice during the wartime. The determined loner cannot break the military-political system; he could just break one little interchangeable element. After such pyrrhic victory, he, along with the troops, would be sent back to the front lines, where, in the best case, they would be killed, or, in the worst case, they would by gravely injured.

The refrain of «La Marseillaise» urges citizens to arms, to form battalions, and water the furrows with impure blood. In the XVIIIth century, France was invaded by the neighbors, so that war was, at least at the beginning, just. Most of the other wars are made for other people’s interest and the wasted soldiers are forgotten as old cars. If more directors made such films as «Paths of Glory», than the viewers wouldn’t be too receptive for military propaganda.

Monday, May 8, 2017

Kanał (1957)

But we will be hailed by the future generations

On the 1st of September, 1939 the Nazi Germany attacked Poland. Despite the heroic resistance, Poland was overrun. The occupation of Poland meant five years of pain and suffering for the Poles. By the end of 1944, the Nazis were beaten on all fronts and at the same time the Warsaw Uprising took place.

In 1957, Andrzej Wajda got a chance to picture the Warsaw Uprising and he took his chance. The film starts on the last days of the Uprising – the 25th of September, 1944. Lieutenant Zadra leads a unit of the Home Army, who are trying to escape Warsaw through the sewers.



There are lots of stereotypes about the Poles – that they are slow, that they are don’t love anyone, that they cannot unite, that they are only good as a source of cheap labor. In 1938, Poland annexes Zaolzie and was branded the European Jackal.

In the next year, Poland paid the price, but the war showed the heroic side of the Poles. Andrzej Wajda started the film on purpose at the end of Uprising, when the Home Army was almost wiped out and the remaining soldiers are trying to escape Warsaw.



Andrzej Wajda gives unique traits to all characters, among them there are romantics, cynics, clever, silly, honest and liars, but all of them have one aim – to show their bravery to the world and enemy. The sewers give the only chance to escape.

Andrzej Wajda portrays the sewers as a metaphor for the death, which will soon come to almost all soldiers in the Uprising. The sewers are a labyrinth, equipped by lots of traps and false exits. But, despite that, the group is trying to escape.



Even in the Hell – labyrinth, the people have not lost the ability to love and be loved. Even war-hardened people could lose the will to live because of the unrequited love or will try to carry a heavily-injured lover to the exit.

The Warsaw Uprising is portrayed as disorganized, unnecessary and politically motivated. But for the soldiers, the Uprising was a chance to show the bravery of the Poles and even the Nazis admitted it. Andrzej Wajda made his film about the soldiers, who won by their bravery the place in the History.



Despite the critics opinion the late films of Andrzej Wajda were not so good (I cannot express my opinion, because I haven’t seen them), but only this film is enough to remember the late Director. And you should not forget, that Andrzej Wajda helped a lot young and talented filmmakers, including my favorite Andrzej Zulawski.

During the Second World War, there were not so heroic nations and there were unexpectedly brave nations. Among the last, there are also the Poles and the Greeks. Let’s forget politics and remember the bravery of the Poles.




I recommend to watch it along with Pokolenie and Popiól i diament.